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Cecelia Condit (born 1947, in Philadelphia, Pennsylvania) is an American artist working in video. A storyteller producing videos since 1981, her work swings between beauty and the grotesque, innocence and cruelty. In the psychological landscape of contemporary fairy tales, Condit’s films put a subversive spin on the traditional mythologies of female representation and the psychologies of sexuality and violence. Exploring the dark side of female subjectivity, her work focuses of myths of old age, childhood, lovers, mothers, families, friends. Over the past 30 years, Condit has been the recipient of awards from the Guggenheim Foundation, American Film Institute, National Endowment for the Arts, Mary L. Nohl Foundation, Wisconsin Arts Council and National Media Award from the Retirement Research Foundation. Her work has shown internationally in festivals, museums and alternative spaces and is represented in collections including the Museum of Modern Art in NYC and Centre Georges Pompidou Musee National d'Art Moderne, Paris, France. She studied at the Pennsylvania Academy of Fine Arts, University of Pennsylvania, received a B.F.A. in sculpture from the Philadelphia College of Art and M.F.A. in photography from Tyler School of Art of Temple University. She is currently a professor of film and director of the graduate program in the Department of Film, Video, Animation and New Genres at the University of Wisconsin-Milwaukee. Her videos are available from the Video Data Bank, Chicago, and Electronic Arts Intermix, NYC. Videography ''Beneath the Skin'' 1981 ''Possibly in Michigan'' 1983 ''Not a Jealous Bone'' 1987 ''Suburbs of Eden'' 1992 ''Oh, Rapunzel'' 1996 ''Why Not a Sparrow'' 2003 ''All About a Girl'' 2004 ''Little Spirits'' 2005 ''Annie Lloyd'' 2008 ''First Dream After Mother Died'' 2010 ''Within a Stone’s Throw'' 2012 ''Pulling Up Roots'' 2015 Family Condit has two grown sons. Schuyler Vogel and Lloyd Vogel. ==References== * University of Wisconsin faculty profile * Tamblyn, Christine. “Significant Others: Social Documentary as Personal Portraiture in Women’s Video of the 1980’s.” * Mellencamp, Patricia, “Uncanny Feminism: The Exquisite Corpses of Cecelia Condit”, Framework, vol. 32, no. 3:104-22. * Doug Hall and Sally Jo Fifer’s “Illuminating Video: An Essential Guide to Video Art.” 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Cecelia Condit」の詳細全文を読む スポンサード リンク
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